

blueeyedbadger designsClay Swan


Parry's PotsDavita Photography


Lyptis26 Olive Street
Liz Scott is a Los Angeles based artist who, among other things, makes colorful, abstract paintings and prints that deftly combine a range of influence. Textile patterns from the late 1960’s, printed designs from Scandinavian cookware, and geometric abstraction all come to bear in her work. Scott blends these influences seamlessly into a whole that is distinctly her own. | |
Her paintings and prints find context and precedent in the work of such painters as Thomas Nozkowski and Alfred Jensen. Like her predecessors she refers to hard-edged geometric abstraction while subverting the coldness that can result from technical precision. Scott accomplishes this by taking an intuitive, free-form approach to pattern and repetition. Patterns are referenced but break down in accordance with her intuition. |
Like the paintings of Alfred Jensen, Scott’s work shows a personal, obsessive approach to abstract subject matter while unrestrained mark making invite and reward the viewer’s own interpretation. The reference to pattern, order, system and regulation in her work provides a jumping off point for the imagination rather than confinement. |
Her work celebrates freedom with the language of order and regularity. The result is work that is visually striking and conceptually complex. It is no small feat and one that Liz Scott accomplishes with easy-going verve. |
Ride Like the Wind - Christopher Cross feat. Michael McDonald
Riverside School, Thamesmead, England. Portrait #2 Sam Uba 1978, George Plemper
Trees and I really love these photos taken by George Plemper at the Riverside School, Thamesmead between 1976-78. The children seem so comfortable in front of the camera; there are no stilted poses or forced smiles. What makes these especially compelling is that the photographer has given the same care to each image as you would expect from photos shoots of models or actors, "important" people. Every freckle, every rumpled jacket or shy smile, is exposed in all its true and honest beauty. Its impossible to look through these photos without seeing how perfectly beautiful this group of completely normal children is. And in that revelation we can't fail see the beauty in ourselves.
Riverside School, Thamesmead Portrait #81 ~1977, George Plemper
Riverside School Portrait #45 1977, George Plemper
Statement quoted in Prophet Singer: The Voice And Vision of Woody Guthrie (2007) by Mark Allan Jackson.